Showing posts with label Gauche Alchemy. Show all posts
Showing posts with label Gauche Alchemy. Show all posts

Monday, June 25, 2012

Mixed Media Backgrounds Tutorial


Sudha, a long-time friend of this blog, sent me this question, 

"I really admire ur mix media art. I myself interested in doing some mix media work on canvas but due to the limited supplies in India I just create the background with acrylic paints, some stencils n masking tape on canvas but could not be able to create the bright effect on background as u create. Could u guide me in this?"

We'll of course I can! Happily! I'm so glad you asked :-)

                                                                          ~~~

This tutorial will be done on index cards but you can use pieces of card stock, manilla tags - whatever paper you have handy. I love index cards because they are inexpensive and pre-cut.

All these techniques work the same on a canvas. I like using paper to practice techniques and color theory. 

Start with three or four compatible colors of paint. Mine are a medium pink, yellow, peachy-orange and blue. Try not to choose colors that combine to brown, like red and green.

You'll also need something to scrape the paint on with. I used a hotel room key-card but any plastic card works as does cardboard (like you's get from a box or food packaging). If using cardboard, cut it to a size that comfortably fits in your hand.

To start, drop little puddles of paint on three or four of the cards and, one color at a time, add it to all your cards by spreading it with the scraper. Scrape vertically on some, horizontally on others. Don't worry about overlapping colors - it's where the magic happens. Please click on photos to enlarge so you can see how the paint is applied.



Gather up your stencils and lay them all over the surface of your cards, overlapping as you see fit. If you don't have stencils you can use die cuts, hand-cut snow flakes or things from around your house like lace, produce bag mesh etc. 


Spray with color mist. I make my own by mixing water and liquid water color in a spray bottle. For the red, I mix acrylic paint and a lot of water in a spray bottle. You can buy these at the craft store - Mister Huey Misters and Tattered Angels are my favorite. But in my opinion, homemade is even better. For shimmer, add some mica powder to your mix.

I used teal, yellow, orange and red spray here. I didn't want to stray too far from my initial color scheme just yet. 


Carefully lift off your stencils. I blot mine into my art journal to not waste any color. 
As you can see, the result isn't that dynamic...yet.


I like to have a few darker, moodier backgrounds on hand so grab another stencil - this one is a plastic doily - and spray with black mist. Try to keep it to four or five cards,


Now I have  2-4 darker cards and a little bit of grungy over-spray on the brighter ones.


Tape down some punchinella (sequin waste) and scrape some white paint through the holes.
Do this just on one side, again only adding the white to four or so cards.



Next, find another stencil, I love these letter ones from office supply stores, and scrape red paint through it. 


Empty any additional paint off your scraper onto other cards. Do you see where I added the red? Just a little here and there will make a huge difference.


Now for some contrast. Take some turquoise paint and add it to your cards using your fingers. I have a bad habit of adding 'photo corners' and borders with paint... ALL THE TIME! So I tried to spread some in the middle too. Variety makes these cards sing! But if you look at the picture, it's mostly edges. 
Note that on some cards (top right) I barely added any. 


Do the same thing again with another contrasting color. I used neon pink because it was still close to the original set of colors but it is so much brighter - it should pop.


Are you feeling panicked that it still doesn't look like much? Don't be. The number one rule of mixed media is to have the look of gorgeous layers you need to make layers. There is no shortcut.


Come in with my very favorite product, gesso, and white-out some of the areas on your cards. Knock down color you don't like. Soften some edges. Add some thick and some thin.


The reason we used mists in the second step is because they are water reactive. They will come up through the gesso as it dries and the effect is incredible. See above, the blazonry stencil in fuchsia is coming up through.


Use the handle of your paintbrush to doodle into the gesso, exposing all the lovely color underneath.


Take black acrylic paint and flick splatters all over your cards.
My 'method' is to shake my paint really well so that some of it comes up in to the cap. Then I get a small brush really wet and dip it into the cap and flick the paint onto my work. If it's too dry I add more water. Once I'm done, I usually shake out the cap onto my project to so as to not introduce the water into my paint bottle. There are a lot of other ways to do this : tooth brush, mixing diluted paint in a cup or on a mat etc. but this works for me.



Gather up some ephemera - I usually use whatever is on the table - receipts, junk mail, notes, lists etc. But on this occasion I used a paper kit from Gauche Alchemy.


Mod Podge ripped up bits of ephemera onto your cards. Don't over think this. Where you place it is fine. I promise. If you don't have Mod Podge, watered down glue works just as well. If you're being fancy, matte medium or gel medium would be a great choice. 


Add some stamping with permanent ink - like Staz-On. I prefer very light stamp patterns, like this script, as it unifies the collages without overpowering them. 


Don't be afraid to stamp partial, angled or imperfect images. 

It makes your piece more interesting.


The results!
Using 12 identical index cards and less than an hour of your day, you should have a dozen, unique mixed media backgrounds to use in your art.


If you don't like one, it's perfect to cut up into other collages, punch out into shapes or you can cover it up with gesso and start all over again.

And remember, these are backgrounds. 
Once you add a focal image, the character of the card will be very different.



Notice (above and below) that I tried to keep the interesting scrapings to the sides so it will still be visible after I add my focal image. If you add something very cool to the middle of your paper, then your card might be better  viewed as 'complete' as an abstract. Otherwise you'll just cover up all your beautiful work.


If you have any questions, please ask. 
You never know, maybe your question will be my next tutorial.


Warmly, Nicole

P.S. If you want to see more examples of mixed-medai backgrounds made this way please check out these posts:

P.S.S. Want to see what I did with one:



Thursday, March 15, 2012

10 Years Ago and Super Powers


I'm trying to catch up on my 30 Lists so I did two more art journal pages last night.

The first topic was, '10 Years Ago..." This was really heading into sad territory so I focused on the facts - like that my boys were 3, 4 and 5 and we had amazing friends, I was researching homeschooling. 

I started out with this:


And made this:


She is a favorite Stampotique stamp of mine called Glimmering Hope


On the other side I used the prompt, 'My Superpowers' and I didn't worry about the two sides matching. I decided that it's all me so some sort of continuity should present itself.


The heart was some leftover Ouchless Cardboard from Gauche Alchemy that I used the area around it in this Love Birds AJ page:

See:

And I used a mix of stickers, rub-ons and words from magazine pages for the text.

The wings on the heart are Bombshell Stamps from the Sacred Heart set. It was one of my first sets and I still reach for it often. Gotta love that kind of staying power. After cutting the wings out, I Mod Podged them to the heart and background and then, once dry, colored them with Sakura gel pens.


Here are the pages side by side. click to see them full-sized.


Click here to join 30 Days of Lists


And I wanted to thank my friend Eileen for the Versatile Blogger Award, so sweet of you.




Thursday, March 8, 2012

Using Backgrounds You DON'T Love When Art Journalling


I thought I'd use this post to answer a few questions I get asked over and over again in comments and via email about my art journalling.

The first is something to the effect of "What paper is that in your journal. I love all the pretty colors? Who makes that?" Um... I do. This is what my journal looks like:


And just in case you don't believe me (and several people haven't) , here's a page with the background done... see, white pages come next. 


"What do you mean, 'You make backgrounds?'" Well, I fill up those lovely white pages with whatever I feel like doing at the time. It's nice to get rid of all that white. My method is to brush gesso on the raw pages and let it dry. I do this so the supplies I use on top smear around and blend better. It also gives the page a little tooth.

Here are some backgrounds in my art journal waiting to be called into action.







Which brings me to, "What do you do when you hate a background?"

You just need to have a little faith. 

Which brings me to today's page and the awful, embarrassing atrocity it started out as.


You're welcome. Now that we've all had our laugh today... I tore off the tape. It didn't work.


Then I sanded off all the gel pen scribbles. 


Wipe the mess off with paper towel. Already it's looking better. Still bad, but better.


Next Question, "What is punchinella/ sequin waste?" Only the BEST thing to hit crafting in the whole wide world! It's what's left over when sequins are made and it's an awesome stencil. I get mine from Gauche Alchemy and use it, literally, at least five times a week. Seriously! They're having a 10% off sale right now. Go shop.

Mine is all stained and grody... just the way I like it.



Which leads me to the rescue mission of getting this page to normal.


Apply gesso through the punchinella with a brush, credit card of palette knife. Move the punchinella as needed to cover as much of the page as you'd like.


Dry it with your heat tool. My gesso is cheap so the color shows through... I kinda like that for this page. Now the house, flowers and sun are nice color accents.


Next you need to add color. I'm trying to get familiar with with my new Derwent 12 Inktense Block Tin Setso I'm making using them a priority.


To add color with intense blocks, all you do is rub the block on your page and then add water with a wet paintbrush. A little Inktense goes a really long way on the gesso.


To keep things simple I stayed in the blue/green family.


To add depth, I rubbed a little navy around the edges. Contrast always makes a piece better.


Now I need something to make my list on as the background is too bumpy to write on. Every year in January I paint over all the pages from last year's calendars. It's a great source of interesting paper and only costs you the paint. 


I cut it down to 8.5x11 and typed up my list.


Cut your list into strips and decide where to place them.


Mod Podge them down and add some outlining. Done.


(click to see it larger)

Click here to join 30 Days of Lists